Humbuckers, also known as double coils, are guitar pickups that are designed to reduce the hum of electronic interference. Most guitar pickups use magnets, and humbucker guitars reduce the noise by using a special configuration to “buck” the noise.
Fuzz pedals work with humbuckers to replace the electronic noise with signature sound signatures, such as bright sounds. The combined effect of fuzz effects for humbuckers produces special sounds and reduces the electronic noise. Choosing the best fuzz pedal for humbuckers can create a signature sound, vintage sound or high-end sizzle. The following are some strong candidates for the top fuzz for humbuckers to produce an awesome pedal and pickup match with a higher output level without a huge price tag.
The ZVEX Effects Fat Fuzz Factory Germanium Fuzz distortion pedal mates seamlessly with your humbucker to cover up electronic noise with fuzz. This vintage technique became extremely popular during the a960s and 1970s with Jimi Hendrix and other noted musicians. The ZVEX Fat Fuzz offers a dynamic gamut of sound at an affordable price.
It has five control knobs and two germanium transistors for precise control and responsive guitar sound management. The design appeals to both classicists and lovers of modern styles with the pedal’s polished aluminum chassis with a hand-produced silkscreen of the company’s two-colored text logo.
You can use the unique Stability knob to create wild voltage sags. The noise gate is a feature that facilitates high-gain effects, and it comes with a compressor to power extra-long sustain functions and increased musical clarity. The cost-value ratio for the Fat Fuzz is impressive; models with comparable features typically cost twice the price.
The five control knobs give you greater ability to customize your music style, create a signature sound and mimic the works of great historic performances like Jimi Hendrix’s Fuzz Face. You can set the controls at different levels to personalize your fuzz effect. ZVEX designed the pedal to use less energy than other fuzz and effects pedals.
Pride of ownership is also a big factor in choosing a fuzz for many musicians who understand style and presentation can be just as important as the music. The ZVEX Fuzz Factory distortion is hand-painted and assembled, so each pedal is one-of-a-kind.
Electro-Harmonix Big Muff Pi Guitar Effects Pedal
The Electro-Harmonix Big Muff Pi Guitar Effects Pedal enjoys a glowing reputation as the Big Muff Pi Pedal. The effects pedal produces sounds that are similar to the fuzz-style distortion pedals that you hear on many top recordings. It adds a distinctive sound and has a relatively compact size, so many musicians keep it connected for their entire concerts.
The controls of the Big Muff Pi are easy to operate when compared with other fuzz pedals. The pedal features three controls, just like standard distortion pedals. The controls enable you to choose one main sound, control the tone and sustain the sound as long as you like. All you have to worry about is experimenting with different tones and adjusting the sustain control to your preferences.
You’re really masking the electronic noise of all your equipment with the best sound of fuzz distortion. Frankly, the fuzz sound isn’t obvious or overwhelming in digital recordings and videos, but the sound and ambiance that fuzz distortion generates in live concert settings is totally awesome. Musicians can crank up the amp, play some chords and sustain an energetic sound while taking a breather from more complicated scores.
There are drawbacks to the Big Muff Pi. Not everyone loves Jimi Hendrix, despite his legendary status, but his use of fuzz is unparalleled. However, less seasoned musicians often make the mistake of using a fuzz pedal at lower settings, but the sound of the Big Muff Pi comes across as weak or farty. It works best when the fuzz tone knob is tuned to the max.
Famous musicians who use the Big Muff Pi include Dinosaur Jr, Smashing Pumpkins, David Gilmore and Pink Floyd, Blind, Metallica and Sanatana.
Dunlop FFM2 Germanium Fuzz Face
The Dunlop FFM2 Fuzz Face uses germanium transistors, and the opinions of germanium vs. silicon transistors remain sharply divided. How a given musician perceives and reproduces sound is highly personal and defines an artist’s musical persona. There are differences in sound between the transistors, but most people don’t notice them. Germanium-powered electronics recall vintage fuzz pedals and 1960s music.
The Dunlop FFM2 mostly uses germanium transistors to generate the sounds of heavy and acid rock’s classic fuzz distortion. The mini version of the fuzz pedal offers solid benefits for musicians that include taking less space, costing less and delivering vintage sound. The mini version sounds just like the original because it mimics the 1960 to 1968 fuzz face.
This pedal is often considered the granddaddy of distortion pedals because it has survived musical obsolescence on a grand scale. The sound holds through extended high notes but experiences some weakness at the low end. The footswitch works remarkably well, and the knobs roll smoothly to prevent embarrassing and unintended extremes. The benefits of the Dunlop FFM2 Fuzz Face include:
- Produces warm vintage tones with easy to use tone controls.
- Footswitch that delivers a noticeable clunk as a counterpoint.
- Small diameter that’s pedal-board friendly.
- Great price.
- Blue LED at the top that provides cues for musicians who might be less than 100%.
- Excellent build quality.
The cons of the Dunlop distortion include:
- The sound can be temperature-sensitive in environmental extremes of hot and cold temps.
- Tends to be temperamental.
- Doesn’t transition well between rock music and softer ballads without adjustments.
Wampler Velvet Fuzz V2
Wampler Velvet Fuzz V2 delivers more than the average fuzz pedal. It works like an amp, and it captures the exuberant vintage fuzz sounds runs of the 1960s as if it were an amp-in-a-box. The distortion can change its “voice” to match a variety of musical genres and artistic styles – from aggressive runs to smooth, seamless transitions.
The pedal produces a sound called – appropriately enough – velvet fuzz, and the tightened bottom end generates distortion that easily overrides electronic noise and compresses fuzzed notes to generate a signature sound that many musicians adopt for their own musical identity. The benefits of using the Wampler Velvet Fuzz V2 for your humbucker include:
- Power of classic fuzz distortion that can be tempered to tame the sound.
- Two clipping options instead of just the silicon or germanium transistor option that most pedals offer.
- Top-mounted input and output jacks that fit seamlessly on your pedalboard.
- Top-quality sound-generating and response components.
- Ability to lighten tones and use it to generate distortion.
- Voicing switch ability triggered by Big/Tight mode.
- High-quality boutique floor pedal.
The drawbacks of the Velvet Fuzz pedal include:
- Lack of some advanced features.
Although it lacks some features, the features it does have work phenomenally well. The fuzz pedal receives 5 out of 5 stars in Amazon reviews, and it’s the perfect pedal for musicians who favor distorted sounds or vintage fuzz and all the permutations of each.comes with an eye-catching design that makes it the high-quality boutique option that it is. It also has a solid and robust feel. The enclosure is a sturdy piece that is covered with a graphic design reminiscent of the ’80s.
Orange Fur Coat Vintage Fuzz
The Orange Fur Coat Vintage Fuzz distortion pedal evolved from the Foxx Tone Machine, a popular fuzz generator of the early 1970s. The Fur Coat offers musicians an adjustable Octave-up feature, and its upgraded design includes the removal of the DC offset switch from the Octave controls. This configuration enables guitar players to dial in or out when the guitar’s volume knob is set between 8 and 10. It is a true bypass pedal without the buffer being placed as a passive pickup.
You can use the Orange Fur to transmit fuzz into a clean amp or an overdriven amp to generate a “fur coat” of fuzz to your musical repertoire. Some of the features of the Orange Fur Fuzz include:
Low-power Consumption – draws minimal current, so you can attach more electronics to your system, such as an overdriven amp. Less current results in longer battery life when you use a 9-12 volt DC battery.
Adjustable Octave – This feature makes the fuzz pedal more versatile and increases its musical range, and you can turn the feature on and off as desired.
Two Voices – You get two distinct voices in one.
More Headroom and Greater guitar’s Volume – The focused engineering allows greater headroom and greater volume than other fuzz pedals.
The octave fuzz “switch” doesn’t carry the orange theme too far by including it in a fabric finish, but the “Fur Coat” part of the name pays tribute to its predecessor, Tone Machine and its octave fuzz. If you like this style, the Orange Fur Coat Vintage Fuzz is the perfect distortion pedal for you.
Beetronics Royal Jelly Overdrive/Fuzz
You can add a touch of mellow honey to your humbucker’s performance by installing the Beetronics Royal Jelly Overdrive/Fuzz pedal on your pedalboard. The company’s proprietary overdrive/fuzz blender delivers more than the sum of its parts because you not only get two distinctive voices but get all the sounds in-between in transition. The blending generates a smooth segue to create unique, clean tones due to the mixing of levels between the overdrive and fuzz functions.
Beetronics is a relatively new boutique pedal maker with a unique concept. The company makes its pedals by hand, and the circuit boards look like works of art. The company names its products and features after bees with terms like “Royal Jelly,” “Octahive” and “Overhive.” The Royal Jelly distortion pedal has a powerful EQ that delivers 10dB of cut/boost power to customize your tone.
The Royal Jelly’s Buzz switch smooths out the screech at the high end of vintage fuzz boxes, and you can change the nature of your music with the clever mixing of overdrive and fuzz. The pros of the Beetronics Royal Jelly Overdrive/Fuzz include:
- Versatile resource for managing tone.
- Solid construction and creative engineering.
- Range of sound blends.
- Simple controls and easy operation.
- Custom orders available.
The cons include:
- Low output for an overdrive pedal which may require volume control and guitar volume knob adjustments.
- Global tone knob controls that don’t offer the best fine-tuning.
The right fuzz pedal can buck the hum of electromagnetic interference and generate a defining best sound, and any of the above choices can customize your sound in specific ways. Choose the fuzz pedal that most matches your personal style.
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