Ibanez Tube Screamer

To call the Ibanez Tube Screamer an icon would be an understatement. Before the original TS808 came along in the late ’70s, overdrive was pretty much a myth. Sure, there were a few fuzz and distortion pedals that could function as ODs; but only if you knew how to coax the genie out. The easier alternative was to literally overdrive a valve amp — a privilege of the lucky few who could afford one. To the rest of the masses, OD was the musical equivalent of a unicorn.

And then came along the Tube Screamer. This little seasick-green stomp box somehow nailed perfect OD, mimicking a tube amp at the edge of breakup while still maintaining tonal integrity. Guitarists the world over were wowed, and the Tube Screamer went on to become a bestseller, and perhaps the most imitated pedal in history.

So influential are the original Tube Screamers that even Ibanez themselves have released copycats. Or are they actually copycats? Seasoned shredders will attest that this isn’t the case — the latest lineup of TS’s are every bit as authentic as their ancestors. While there’ve been a few changes in the circuitry on some models, you still get the glassy OD and overall sonic integrity.

On that note, let’s see what’s on the menu for those who want a piece of the TS mojo:

• TS808 Reissue: As the name indicates, this is a faithful reproduction of the original TS808, featuring the same square footswitch and JRC-4558D op-amp chip under the hood.
• TS808DX: The Tube Screamer has frequently been deployed the Level dial cranked up and Drive/Tone dialed down for a clean boost. The TS808DX is Ibanez’s effort to simplify things here. It’s the 808 circuitry with a clean boost that can be configured to apply as either a gain boost (Pre), or as a volume boost (Post).
• TS9 Reissue: Again, this is a rendition of the “9-Series” pedals produced by Ibanez in the early ’80s. The model features the same sonic “stamp” that set the original TS9 apart from the 808.
• TS9DX: A TS9 remake with three additional modes ( +, Hot & Turbo).TS9B: Yet another TS9 variant that’s been revoiced for more low-end crunch.
• Tube Screamer Mini: This is the original 808 squeezed into a downsized case, and available for a cheaper price too; but with no sacrifices in performance whatsoever.

Fulltone OCD Overdrive

As splendid as Ibanez’s Tube Screamers were, they had their fair share of shortcomings. Or, rather, there are certain tonal needs that no Screamer in whatever configuration can fulfill. The propensity of these pedals to maintain fidelity in the signal can, for instance, prove a hindrance if you’re aiming for a slightly-roughed-up type of OD.

Just to be fair to Ibanez, the TS was never meant to be a jack-of-all-trades. But it’s from such gaps that great concepts are born. Concepts like Obsessive Compulsive Drive, or OCD as most people know it.

The Fulltone OCD was devised as a pedal that could bridge the gap between docile overdrive and the comparatively-unhinged distortion. It came with the usual controls (Drive, Volume & Tone), plus a HP/LP toggle for accessing different sound profiles. HP increases girth on the bottom end while sharpening the mids, giving your guitar more presence. LP is a subtler effect that retains the incoming signal’s character.

And so, the original OCD quickly became recognized as one of the most versatile stompboxes on the market. Keen to stay atop this enviable perch, Fulltone have continually refined the pedal over the years, recently releasing the second generation dubbed OCD V2. With a switchable true-bypass and a slew of upgrades in the circuitry, Obsessive Compulsive Drive is as good as it’s ever been.

Like with the original, the OCD V2 allows you traverse the tonal spectrum from low-gain crunch to gnarly, fuzzy distortion; with all manner of possibilities in between. The tone stays warm and consistent throughout, and the headroom is ever so ample. It’s an incredibly-dynamic response that lets you explore your way to the sweet spot on your favorite amp.

But perhaps the most intriguing thing about this pedal is its humility. Even with all its talents, the Fulltone OCD V2 remains affordably priced. And it still has the same user-friendly demeanor of its predecessors.

Ibanez Tube Screamer vs OCD Overdrive Pedals: How do They Stack up?

It certainly wasn’t the first stompbox to see the light of day. But the original Tube Screamer, with its unprecedented ability to emulate an over-driven tube amp, went on to set the gold standard for what OD should feel and sound like. It’s pleasing to see that all the reissues and variants that have followed retain their ancestor’s overall pedigree.

Fulltone’s OCD concept has been compared to the Tube Screamer in lots of ways — with some even claiming that it’s a copycat of the latter. Admittedly, there’s a bit of logic behind this opinion. No other pedal released in recent years has carved out a niche for itself quite like the OCD has. But that’s about as much as it has in common with the Tube Screamer.

The Screamer is meant to be an overdrive pedal through and through. Sure, you can get it to crank out some fuzzy filth if you dialed in the right settings and pushed hard enough. But the TS will strive to retain the signal’s character. Consequently, the result might not be what you hoped for.

And it’s here that the OCD comes in. It’s also designed primarily to provide OD, but with more flexibility. You can set it up to function more as a distortion box if you want. Its biggest selling point, however, is the ability to switch between the two at and/or dial in hybrid effects.

Now, there’s nothing to keep you from adding both the Tube Screamer and OCD to your pedalboard. But if you’re like most players, you’re better off with the one that suits your style best. Go with the Fulltone OCD if you like to play around with your sound and don’t mind a bit of color. If you prefer squeaky-clean tones, on the other hand, the Ibanez Tube Screamer is your best bet.

The post Ibanez Tube Screamer Vs Fulltone OCD: A Comparison Of Two Trendsetters appeared first on Happy New Guitar Day.

Our Top Small Pedalboard Reviews

MY FAVORITE! Voodoo Lab Dingbat Small Pedalboard with Pedal Power 2 PLUS

This pedalboard is the ideal combination of form and function. It is roughly 18 inches wide and around 9 inches in length, making it an exceptional option for traveling musicians. This bundle includes everything needed to get going like cable ties, two reels of Velcro and the barrel-type pedalboard power cables. Tough steel brackets and rails are used to securely mount the pedal power supply on the underside of the board and a handful of nuts and screws are used to affix it to the unit.

The build quality is flawless as aircraft-grade American 6061-T6 aluminum is used to meticulously craft each pedalboard. The remarkable construction is evident in all aspects of the board, such as the impeccably aligned cut-outs designed for the AC input jacks built-in power supply and its AC outlet. In addition, there are heavy-duty rubber feet located at the bottom corners of the guitar pedals board, designed to prevent movement when it is laid down. The board is packaged in a chic red-and-black travel bag that is complete with a comfortable shoulder strap.

Check The Latest Price On The Voodoo Lab Dingbat

Pedaltrain Nano – The Runnerup!

This small, compact board measures 14.5 inches x 5 inches and weighs one pound. Its solid aluminum alloy tubing is welded together, leaving an opening in the center designed for running cords and power cables underneath. In contrast to some of the bigger models that are angled slightly, the Nano is sufficiently narrow to give easy access to all the pedal knobs and it lays flat on the floor. The package includes Velcro strips to secure the row of pedals to the rails and they make it easier to set up and tear down. The Velcro provides a solid hold and you will find that even when it is held upside down, the pedals will not move.

It is a good idea to use a clip-on guitar tuner as it frees up the Nano for actual extra effects pedals. By doing this, the board will be able to fit four standard size pedals. The key is spending a few minutes with the initial placement of the pedals and general minimalist pedalboard setup and then wiring up the power connectors and patch cables. It also comes with a soft case bag that can be thrown across the shoulder or strapped to a gig bag.

Check The Latest Price On The Pedaltrain Nano

Pedaltrain Classic JR

Inspired by their famous PT-JR pedalboard, the Pedal Train Classic JR makes this time-tested design even better. Firstly, there is no longer the need to try and stuff the cables through tiny portholes – the open-front design of the board makes it easy to mount power supplies. Additionally, the Classic JR was given a wider stance and its altitude was boosted by a whole inch; therefore, it can accommodate pretty much any switching system or power supply that you might have in your rig. Guitarists have depended on the resilient aircraft-grade aluminum alloy pedalboards from Pedaltrain for over a decade.

The compact pedal board allows you to lay out your effects based on your preference. It features an angled and elevated open frame, providing you with added flexibility when the layout of your effects is being configured. This also makes setup and rearrangement fast and efficient. In addition, your cables can actually be neatly connected on the compact pedalboard by routing them under, through and over the slots in the top surface region. By doing this, they are not visible on the top of the board and you do not have to be concerned about disconnecting them accidentally with a poorly placed stomp when you are in the middle of a solo.

Check The Latest Price On The Pedaltrain Classic JR

Donner DB-S200 Guitar Effects Pedal Board

The Donner DB-S200 pedal board is very functional and provides the ideal option for guitarists who are seeking out a reasonably priced best pedalboard. This board has plenty of room, especially for mini pedals and will accommodate them comfortably. The pedal gives great value for it cost as well. The overwhelming majority of individuals who use it have expressed that they love it and believe that it stacks up quite well against brands that are known to be more expensive.

This is as aluminum pedal board that feels sturdy and solid even though it is quite lightweight. It has a rail-like design that allows you ample space in which to easily and conveniently lay out your pedals. The board rails measures 20 inches x 8 inches x 1.2 inches and can accommodate as many as 12 regular stomp-box pedals easily, while being long enough to hold such effects as the long wah pedal as well.

The board has a chic black finish and weighs 1.33 pounds. Durability and reliability are fairly decent and the product has the capacity to take a few bangs while being transported. Additionally, the power supply area is highly practical, reliable, easy to use and features top-notch wiring.

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Warwick RockBoard TRES 3.1

This lightweight pedal board is rugged and rigid and is designed to accommodate an array of pedals and power supply mounting solutions. The construction is uniquely ingenious and based on just one cold-rolled, folded aluminum sheet for the frame of the board and has no welded seam. As such, the surface of the board is totally plain and provides more space for pedals and holes for zip ties to keep everything in place. Vertical support braces provide additional stability and the board will neither wiggle nor bend.

It has an innovative slot-based design that works really well with standard mounting solutions like loop tape and hook and the new RockBoard pedal mounting plates. Additionally, the slots allow cables to be hidden underneath the surface for a tidy and neat setup. Furthermore, power supply can be mounted either below the board surface or the optional RockBoard power supply mounting solution can be used. The majority of RockBoard 2018 Series versions are compatible with the RockBoard MOD patchbays. There are seven sizes that range between roughly 18 inches in length and about 40 inches in width; therefore, you will definitely be able to find the ideal board for you. All sizes come with either a flight case or gig bag.

Check The Latest Price On The Warwick RockBoard TRES 3.1

GOKKO AUDIO GKB-52

The Gokko Audio GKB-52 has dimensions of 22 inches x 12.6 inches, which offers large enough space to accommodate plenty of guitar effects pedals. It is made from solid, high-quality and durable material and it is designed to hold and safeguard the pedals nicely. The mini pedalboard comes with a lightweight nylon carrying bag that is designed to safely and securely store and transport your pedals from one gig to the next. This package comes with the Velcro needed to attach your pedals to the board. It is ideal for musicians or guitarists who would like to rig the pedals for practice at home and for gigs on the go.

Check The Latest Price On The GOKKO AUDIO GKB-52

Diago Showman

The pedal is perfect for multiple expression pedals, MIDI controllers, multi-effects units or for 12 to 16 compact effects. Its mid-sized case provides an ideal compromise between internal capacity and physical size, with space for a power supply unit and the most-used pedals.

The eastern plywood used to make this pedal board is ½-inch thick and it has a super-durable and appealing polyweave skin designed to keep the board looking remarkable for a lifetime. The board is fitted with robust catches, steel corner strengtheners, high-quality hinges and a through-bolted amp-style handle is used to create a solid feel. Every board is assembled by hand and undergoes stringent quality control.

Simplicity is definitely the key to any great design. There are a number of boards that come with bells and whistles like a built-in speaker, an effects loop and a power splitter box, which does not even qualify as a power supply because a wallwart is still needed, making it merely a glorified daisy chain. There is no one who actually need any these things built in and as such, Diago does precisely what a good pedalboard manufacturer should do; nothing more and nothing less.

The pedal board is ideal for accommodating multi-effects, compact stomp effects, wahs, power supplies, channel switches, volume pedals, A/B boxes and even synthesizers and DJ gear. In fact, it has the capacity to accommodate any combination of these, as long as they all fit. For more information on using this pedal board, you can use a sizing guide for a smaller pedalboard.

Need To Fill Your Pedalboard?

Check out these excellent buyers guides for electric guitar effects:

• Must have pedals for beginners
• Distortion pedals
• Chorus pedals
• Fuzz pedals
• Overdrive pedals
• Wah pedals
• Compressor pedals
• Delay effects pedals
• Flanger pedals
• Looper pedals
• Reverb pedals

Small Pedalboards Conclusion

It is cool to have a compilation of guitar effects pedals on the market today but having to individually power and transport them is not so cool. Thus, guitar pedal boards became very important pieces of gear to house a collection of pedals that may be used by the average recording/gigging guitarist may use. The power supply feature eliminates the concern about individual battery lives or the need to connect the pedals to a wall outlet. The best pedalboards highlighted above are among the best small pedal board and each product features a protective shell to keep pedals safe from impact. Additionally, each can fit multiple effects pedals and are all built to enable guitarists to customize their configuration and chain to sit their playing needs.

The post 7 Best Small Pedalboards For Your Effects Gear Collection appeared first on Happy New Guitar Day.

There’s no real “you must place it here or else” situation – it’s really going to depend on what you are looking for.  We’ll get into that but first for guitarists that might not have any experience with a volume pedal, let’s start with the basics.

To get right to the heart of the question on where in your signal chain to put the volume pedal, my advice would be to experiment with your own set up.  Try stuff and see what you like.  There really is no right or wrong answer here!

What Is A Volume Pedal?

Well, it’s exactly what it sounds like – volume pedal.  You’ve probably seen a wah pedal, right.  Well, think of a wah pedal looking thing.  The only difference is that when you rock the pedal up and down, instead of getting a wah sound, you get a volume control.  But, how to connect wah pedal to amp?

One other key factor though is that it is important to note that there are actually two types of volume pedals:

• High impedance – better suited for at the beginning of the chain where you can control how much signal gets passed through the guitar effects (overdrive distortion, delay and reverb) before outputting to the amp or PA system.
• Low impedance – these are designed more to go closer to last in the electric guitar signal chain.  Resembling an amp’s master volume.

How Does A Volume Pedal Work?

A volume pedal is actually very simple – it’s basically just a volume knob in volume pedal form.  That’s really all there is to it.  Rock the pedal back and the volume level lowers, rock it forward and it increases.

Do I Need A Volume Pedal In My Pedalboard?

Well, that depends.  I would have to say that it is a good thing to have on your pedal board in order to help you with the creative process and give you a bit more tools to work with in your guitar playing.  Who doesn’t love volume swells!?  But, I would recommend taking a look at this volume pedal article that really dives into this question to help you answer it for yourself to add it to your pedalboard order:

Why You Need A Volume Pedal (samash.com) – Aug 27 2019

There’s barely anything as exciting for a guitar player as building a pedalboard . Although things sometimes might get too geeky, focusing on all the simple details, it’s still one of the most fun things to do. Just imagine all those effects that will not only make your music more exciting but will help you express yourself better through playing. Which is, at the end of the day, the very point of guitar pedals and all the other equipment. (samash.com)

Do Volume Pedals Affect Tone?

Now this is where you get into the importance of the placement of you volume pedal vs all the other pedals that you have in your pedal board.  We’ll go into a bit more detail in the next section of this article  but here’s an example of how it can affect your tone.  The placement of the volume pedal comes into play here.

Have you ever been playing with a distorted guitar tone coming from your amp and turned down the guitar’s volume knob a bit in order to clean up the tone and take out a bit of the distortion- whether amp distortion vs pedal?  Well, you can do the same thing with a volume pedal – which is definitely impacting your guitar tone.

Where Should The Volume Pedal Go?

There’s a lot of excellent information online about this that I would recommend looking at the following forum discussion that a bunch of guitarists had here:

Placement Of Volume pedal/impedance…….. (forum.seymourduncan.com)

Topics: volume pedal, effects loop, high impedance, word post, minimum volume, high gain channel, exact same way, volume control

• EBs are passive, if you go straight from the guitar to the pedal, you want a high impedance.
• If you have it after buffers or in the effects loop, you want low impedance.
• Or, if you don’t want to change the gain/tone at all, you just want to vary the volume, the best way is to put a low impedance volume pedal or other expression pedal in the effects loop.

Where Do You Put The Volume Pedal For Swells?

So maybe you are looking for a specific technique like swells. My opinion would be after any effects like overdrive pedals or distortion pedals. But, if you have modulation pedals in your signal chain too, such as a top delay pedal, ambient reverb effects, looper, chorus, octave pedal, compressor, boost pedal, chromatic tuner, place it before you arrange setup of these modulation effects.

Looking For A Volume Pedal Recommendation?

That’s easy!  The Ernie Ball VP Jr. because it’s decently priced, is fairly compact compared to other options so it won’t take too much pedal board space, and you have two settings for the rate of volume with give you a couple different swell options.  Take a look at this video:

The post AT LAST: Volume Pedal Placement For Swells & Other Cool Stuff! appeared first on Happy New Guitar Day.